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Project
#45
Giving Voice to Intercultural Teachers: Finding Common Ground Through
Action Research
October
1999
By:
Linda Wason-Ellam, Angela Ward, Karla Jessen Williamson (1)
Teacher Researchers (in alphabetical order): Bev Adolph, Sue Barrett,
Jan Butler, Sharon Champ, Ruth Elliott, Betty Ferster, Betty Field,
Lynn Fraser, Brett Jones, Alanna Lyle, Shelley Marciniak, Brenda
Merasty, Bonnie Stephenson, Edith Robinson, Ann Tracey.
(1) Karla Jessen
Williamson, doctoral candidate, University of Aberdeen, Scotland
was collecting data in Greenland and was not able to participate.
Introduction
This study explored
how a collaborative network of teacher-researchers who are active
holders of knowledge, as well as agents of reality, culturally negotiated
literacy practices in one urban intercultural school. Inquiry is
a special way of talking about one3Ds work. When teacher-researchers
bring Awhy and how@ questions from their classrooms to share with
colleagues, they probe ways to help each other make investigations
more focussed while simultaneously expanding the perspective of
others. In this study of teacher3Ds experiential knowledge, teachers
themselves queried what classroom change meant for them, from their
own perspectives. They connected their lives and professional teaching
practices to the group3Ds work with personal teaching stories, and
most often, they returned to their classrooms with new thoughts
about their students and work. In addition, they built personal
meanings about negotiating changes in their literacy practices.
Research
question
What does it
mean to be a teacher doing action research in an intercultural school
setting?
Purpose and
objectives of the Study
The purpose
of this study was to invite teachers to be action-researchers by
bringing their literacy practice-based experiences and research
questions within these practices to a collaborative intercultural
school network. Teachers will be encouraged to develop a critical
perspective of teaching as research which could create, modify,
and evaluate culturally responsive literacy engagements that are
deemed appropriate for particular learners in their intercultural
classrooms. Since literacy and language learning are processes of
socialization, children use literacy to communicate a variety of
meanings in different contexts when they interact as both individuals
and members of social communities. From this perspective, literacy
is a tool for social interaction and signals particular identities
or memberships in groups. Literacy is inseparable from a socialcultural
context for across contexts, including the home and community, learners
are socialized through literacy as they learn language, learn through
language, and learn about language in their own culture. This framing
of literacy as socialcultural practice highlights the interconnectedness
between language, culture, and learning.
Upon entering
urban intercultural schools, students find there is often a discrepancy
between what the school curriculum and pedagogy accepts as legitimate
knowledge and the life experiences of their family, culture and
community (Heath, 1983). When these worlds fail to recognize, respect,
and celebrate each other, literacy learners encounter conflict as
their own reality is often devalued. Teachers in intercultural community
schools are recognizing that when students from diverse backgrounds
participate in literacy activities, they are being socialized into
the literacy practices of a different culture, the culture of school.
Furthermore, they are cognizant that the culture of the school tends
to be primarily a reflection of the dominant culture which may foster
approaches that threaten cultural identity or violate cultural values
(Au, 1993). Socialcultural difference can make teaching more challenging,
for each learner brings multiple frames of reference with which
to construct knowledge by virtue of their ethnicity, race, class,
gender, and cultural identities. In this way, the potential for
knowledge construction depends on whether schools react to students3D
attempts to employ these diverse frameworks for meaning-making as
a problem or as a possibility. The idea of social and cultural context
becomes important when it comes to the literacy instruction of students
of diverse backgrounds (Akinnaso, 1981). There is a pressing need
for schools to understand and adjust to presenting ideas, knowledge
and skills in a way that is meaningful and affirming to the cultural
identities of Aboriginal, Métis, and minority students. In the proposed
project we will build on a network formed in a previous Foundation
studies (Ward, Wason-Ellam, et al. 1995; Ward, Wason-Ellam, Williamson,
et al.1997), we will use an action research model so that practicing
teachers can raise issues and exchange practices in negotiating
literacy for students of diverse backgrounds.
Action
Research
Action Research
is a cyclic problem-solving methodology, frequently applied to issues
in professional and educational settings. Although not a requirement,
collaboration is often characteristic of action research projects.
As University-teachers and teacher-researchers, we recognize that
teaching is a profession that continually changes. Teachers work
hard to nurture changes in their student3Ds literacy practices and
in the process, they are constantly making changes in their curriculum
and their selves. There is a growing need to involve teachers in
research projects as an effective way to bridge the gap between
theory and practice and contribute to knowledge about classroom
practice. But, what is often missing from the research is the voices
of teachers, the questions they ask, and the interpretative frames
teachers use to understand and improve their own classroom practices
(Cochran-Smith & Lytle, 1990). Because teachers are close to
students on a daily basis, their own inquiry from their unique perspectives
can make an important contribution to knowledge about teacher and
learning and alter the hierarchical relations within the research
process.
Teacher research
or action research in which teachers generate their own questions
is one way to democratize inquiry. These questions, which often
critically challenge theoretical claims in the literature, come
directly out of the teachers' own experience in the classroom. Some
perceive that the teacher action research has developed in reaction
to academic research endeavours they view as exclusive and elitist.
Rather than assuming a passive role, simply providing access to
students and helping to facilitate data collection, teachers participating
in action research become equal partners in determining the focus
and parameters of a study and the methods to be used. Therefore,
action research is "deliberate, personally owned and conducted,
solution-oriented" inquiry to a present problem (Boomer, 1989,
p. 8).
A related but
stronger rationale for teacher research is that of emancipating
teachers. As Miller (1990) has put it, teachers come to see themselves
as "challengers and creators rather than just transmitters
and receivers of others' construction of knowledge." Participatory
action research is described by McTaggart (1994) as "a series
of commitments to observe and problematize through practice the
principles for conducting social inquiry" (p. 315). Key ingredients
include undertakings by individual researchers (both academics and
teachers) to improve their own work, to collaborate with others
in the project and to collaborate with other colleagues in their
institutions to "create the possibility of more broadly informing
the common project" (p.318). Action research has the potential
to affect classroom practice after the conclusion of the study (McTaggart,
Henry, & Johnson, 1997).
Methodology
In our teacher-researcher
network, we used collaborative conversations as a reflective stance
so that all participants can share knowledge about intercultural
classroom practices (Ward & Wason-Ellam, 1995; Ward, Wason-Ellam,
& Williamson, 1997). Gadamer (1984) states that conversations
are a process of understanding others. Thus, it is characteristic
of every true conversation that each opens him/herself to others,
truly accepts their point of view as worthy of consideration and
gets inside others to such an extent that he/she understands not
a particular individual, but also what he/she says. Teachers3D individual
research in their intercultural classrooms provided a basis for
some of the monthly discussions about teaching practices that involved
varied ways of knowing, experiencing, thinking, and behaving.
Participants
As teachers
and researchers we are interested in the literacy practices of children
from Aboriginal, Métis, and minority groups who live their lives
between the worlds of home and community and the world of school
( Ward, 1996, 1994, 1993; Wason-Ellam, 1996, 1995a, 1995b, 1993,
1992). The study included the following participants in the collaborative
network:
Two University
of Saskatchewan teachers who are experienced in naturalistic research
in multi-ethnic classroom settings. These researchers teach reading
and language arts courses, ethnographic research methodology and
cross-cultural methods. Fourteen teacher-researchers from the Saskatoon
Board of Education and one intern teaching within one urban intercultural
setting, Confederation Park Community School, engaged in their own
action-research questions about socialcultural literacy practices
to close the gap Abetween what they teach and the real world.@
Data collection
and analysis
During the network
meetings, the teacher-researchers, and university-teachers were
co-enquirers (Maynard & Furlong, 1995) exploring beliefs and
practices. Perceptions were shared through conversation which offered
a way to transcend status differences that usually separate teachers
and researchers. When participants are using conversations, theory
is forced to share the floor with practitioners3D knowledge and
all are encouraged to address the values that are implicit in their
work. The conversations were audio-taped recorded, transcribed,
and shared with the participants. The discussion helped participants
to understand what was happening in their classrooms so that they
could begin to refine their teaching and intercultural strategies.
Innovative
aspects of the project
Naturalistic
inquiry of intercultural practices has been rarely conducted in
Canadian schools. This project involved both Aboriginal, Métis,
and non-Aboriginal researchers, mirroring the cultural mix of educators
within Saskatchewan.
The use of conversation
as a methodology to reflect on instructional practice was particularly
appropriate as it helped teacher-researchers and University teachers
to uncover and share their own @implicit theories@ about teaching
and learning. Secondly, conversations, a largely untapped source
of information about teaching, provided an opportunity for members
of the collaborative network to communicate about their work to
others.
Relevance
of the project findings to teaching and learning
The findings
had a direct impact on those teachers involved in the project. The
published findings will be of great interest to others in urban
intercultural settings who may be interested in learning from the
reflective practice of others. Bringing teachers3D perspectives
and knowledge into the canon of educational literature may confer
special status on being a professional practitioner.
Dissemination
to teachers to affect actual teaching practice
At the end of
the project a monograph of intercultural teaching practices will
be published for a teacher and pre-service teaching audience. Such
a monograph could be a reference for teachers contemplating work
in intercultural environments. It will also be useful for teacher
training institutions since an increasing number of teachers will
be employed in intercultural settings that include learners of First
Nations, Métis and minority ancestry.
It is validating
for teachers to see their ideas in print, knowing that others will
also see them. Writing about classroom practices lends legitimacy
to both teacher as writer and teacher as practitioner. The network
could also present its findings at in service days for the Saskatchewan
Teaching Community.
Permission
During September
1999, permission procedures were carried out. Since two researchers
are employed by the University of Saskatchewan, the requirements
of the University of Saskatchewan Advisory Committee on Ethics in
Behavioral Sciences Research needed to be met. These researchers
already have been granted approval by the University Advisory Committees
on Ethics in Behavioral Science Research, #97-144, A. Ward and L.
Wason-Ellam (G. Scrivens, University of Hertfordshire, UK) An Exploration
of Literacy Beliefs and Practices in Two Multicultural Schools in
Canada and Britain the projected research is addendum to this proposal.
Official permission to proceed was also granted from the Saskatoon
Public Board of Education.
Procedures
The university
researchers, Linda Wason-Ellam and Angela Ward, had met briefly
with the staff at Confederation Park Community School at a staff
meeting in June 1998. At that time we explained the project, and
asked for volunteers who would participate over the following school
year. Fourteen teachers, or about 50% of the staff, expressed interested
in joining the project. We asked them to be thinking about areas
of interest, issues and questions in preparation for engaging in
action research in the following fall.
Our first official
meeting took place on October 8, a scheduled inservice day for the
school. This was at the suggestion of Ron Bodin, principal of the
school, who was supportive of the project throughout. Since there
was such a high number of staff involved, we soon realized that
it would be impossible to release all 14 participants from teaching
at one time, so we decided to work with smaller interest groups
of teachers. On October 8, we used a Talking Circle to encourage
all teachers (and two interns) to describe their action research
questions and interests. Fortunately, the topics suggested fell
quite neatly into three interest groups which explored:
- Multicultural
Literature (Sue Barrett, Betty Ferster, Betty Field, Ruth Elliott,
intern, Anne Tracey)
- Reading Strategies
(Jan Butler, Sharon Champ, Lynn Fraser, Brenda Merasty, Lynn Ironchild,
intern)
- Writing in
the Middle Years (Bev Adolph, Brett Jones, Alanna Lyle, Shelley
Marciniak, Edie Robinson, Bonnie Stephenson)
From that point
the groups met separately to generate questions, reflect on practice,
and to share ideas and strategies. The Multicultural Literature
group proceeded somewhat differently, as they visited a book display,
the Frances Morrison Library, school book service displays, and
a local bookstore in order to explore children3Ds literature from
a community-building, multicultural perspective.
In addition
to the teachers in the group, two international graduate students
from the College of Education attended many of the sessions. Guofang
Li (doctoral candidate) and Yixin Lu (M. Ed. student) were both
interested in cross-cultural literacy learning. Later they were
joined by Dan Yi, (M. Ed student) who had just arrived in Canada
and was interested in teacher networks as professional practice.
One or both of the two university researchers were also present
at the interest group meetings. A number of the small group discussions
were recorded and transcribed, and both university researchers kept
field notes.
In November
1998, members of the collaborative network participated in the Learning
from Practice conference, where they described the initial phases
of the project. During the fall term, several members of the collaborative
network initiated literature circles in the school at the Grade
5 level; the circles were led by our teachers, graduate students
and university researchers. The network welcomed 1999 with a gathering
of all participants as a celebration of work achieved and an opportunity
to plan for the second term of collaboration. In all there were
18 meetings, including large and small group sessions. In retrospect,
this was an overly ambitious undertaking, especially for the university
researchers. However, the small group interactions did enable teachers
to engage in thoughtful and prolonged discussion about the issues
that emerged from their practice in school and community contexts.
The experiences
of each group are described separately below, using the Action Research
structure of:
- Issues and
questions raised by the participants
- Classroom
strategies shared by all researchers
- Reflections
by teachers researchers, university researchers and graduate students
Report
on the Activities of the Three Research Groups
Writing in
the Middle Years
The process
approach to writing began in schools as a response to studies of
writers at work. For example, the research of Emig (1971) employed
a think-aloud strategy to encourage Grade 12 students to make explicit
the strategies they employed when writing. Graves (1983) and Calkins
(1986) were instrumental in taking information about the composing
processes of writers and transforming approaches to teaching writing.
Within a classroom using the writing workshop approach, students
will be encouraged to prewrite, draft, revise, edit and publish
their work. On any given day, students will be engaged in different
stages of the process, giving the classroom a busy Aworkshop@ appearance.
The Saskatchewan
Language Arts Curriculum Guide for Middle Years (Saskatchewan Learning,
1997) supports a process approach to writing. The Middle Years Curriculum
suggests that writing and thinking are closely intertwined: AThinking
is the foundation of writing and, because thinking is central to
learning, students who are able to make their thought processes
concrete through writing enhance their learning capabilities@ (p.
131). Meaning is central in this view of the writing process. The
teachers in our project struggled with the incongruities they sometimes
perceived between the vision of Saskatchewan Learning and their
own students3D experiences and the constraints of school. These
tensions are echoed in Dyson and Freedman3Ds recognition that Ateachers
often negotiate between their desires to teach writing as a purposeful
process and to teach the varied >skills3D conceived of as integral
to that process, skills differentially controlled by their students@
(1991, p. 754).
Issues
and questions
Teachers3D concerns
evolved during the course of the study. During the first meetings,
teachers expressed concerns about the surface aspects of writing
and issues around class organization. Later on, there was more focus
on how to support students in organizing their writing and in writing
across the curriculum.
Surface aspects
of writing
Teachers were
worried about control of sentence structure and punctuation. In
particular, teachers were concerned that their middle years students
did not produce complete sentences in their own compositions and
in response to written questions. Students were also described as
having difficulties with punctuation, especially capitalization,
periods, quotation marks and commas and using the conventional forms
for writing dialogue.
Practicalities
of organizing Awriting workshop@
Not all teachers
had fully implemented the writing workshop approach in their classrooms.
Some teachers were still leading students through the same writing
activity in whole group formats. During the study, even those teachers
who espoused process teaching commented that their students needed
more explicit structure and guidance than usually offered in writing
workshops. Many teachers stated that their students had difficulties
in working together in small groups, which made some aspects of
writing workshop difficult. For example, pre-writing and peer editing
were not successful in small groups.
Writing in different
genres
One teacher
noted that his students had difficulty in developing story lines
for narrative writing:
AMany are
finding it difficult to actually develop one story rather than just
isolated incidents that don3Dt necessarily connect or maybe are
actually three stories.@ (Brett)
Most teachers
in the project noted that students had problems carrying out research
projects, especially in restating the main ideas of text in their
own words. Several had stories about their students3D falling into
plagiarized accounts because text information was incomprehensible
to them.
Students
who experience problems with school life
There were several
network meetings where teachers spent a great deal of time discussing
how students3D behavioural and social problems interfered with classroom
learning, including, of course their writing.
Classroom
strategies
The ideas shared
during the project meetings addressed both broad issues and more
specific classroom problems. Despite some frustrations with students3D
writing difficulties, teachers had many successes from their writing
classrooms to share with each other. There were several over-arching
strategies which seemed particularly powerful with students in this
multicultural school.
Strategies
to Ascaffold@ students into the writing process
! All teachers
had used modelling to support students in learning to use
the writing process.
Writing
about real-world experiences was also a powerful strategy
for a number of teachers. Students were able to write about visits
to the Mendel Art Gallery, their experiences in watching live theatre
(a musical staged by a local high school) and short field trips.
Talk
was important in implementing the writing process across all classrooms
and in all genres. Much of the talk that teachers perceived as supportive
of writing happened in partner work.
These strategies
served to scaffold students into writing at all stages of the writing
process. Modelling enabled students to understand teachers3D expectations
and the stages of producing a piece in a particular written genre.
The use of real-world experiences meant that students did not have
to delve into uncomfortable aspects of their private lives to find
writing topics. Trips and photographs were used primarily at the
prewriting stages of the Writing Workshop. Talk was vital throughout
Writing Workshop, enabling students to support each other, verbally
rehearse their ideas, seek for clarification and experiment with
language.
Specific
strategies and activities
Literature
activities
- Writing a
children3Ds story
In one Grade
5 class the teacher has students carry out a project of writing
and illustrating their own children3Ds stories. This activity
usually takes about a month. It is the one assignment that students
follow through right from start to finish. In this project, students
take several children3Ds books from the library. Weaker readers
particularly enjoy this, because they are able to read these stories
fluently. Students study the story lines and illustrations, and
then meet in groups to share ideas of what would work in their
own stories.
- Encouraging
students to read a wide range of high quality children3Ds literature.
All teachers
recognized that this was an important way for students to develop
their own Awriterly ear and eye.@ Literature was read to students
in all these middle years classes, and some students were avid
readers of fiction and non-fiction. One teacher did observed that
reading literature did not immediately translate into ease with
writing.
- Responding
to literature in different ways
There were
a number of accounts of the various ways in which teachers were
integrating aspects of their Language Arts programs. In one classroom,
the teacher was trying for the first time to combine writing workshop
with novel study. For 6 weeks, all the Grade 5 classes were involved
in literature circles across the grade, and some writing activity
resulted from this.
A further
example of modelling an activity literature occurred in one class.
Inspired by one of the network discussions, the teacher took AIf
you3Dre not from the Prairie@ (Bouchard, 1995) and asked students
to build their own poems based on the form of this book. For example,
AIf you3Dre not from Saskatoon, you can3Dt know Sask Place@.
AWe did it
as a large group, then we did it in three smaller groups, and then
we did it in partners, and then we finally got them doing it on
their own@ (Alanna).
As a form of
publication, Ruth Elliott set up a web page so students could type
in their work for others to read and the teacher took photographic
illustrations with a digital camera:
AThe kids
are really, really excited about the fact that their work is going
to be on the Internet. But, wow, it3Ds been a really long process.
I3Dm tired of it, but I don3Dt think the kids are.@
Another teacher
encouraged students to write haiku based on brainstormed words that
described volcanoes. This was part of an integrated science/language
arts theme.
Non-fiction
writing
There is an
expectation that middle years students will engage in writing
formal research reports, usually in the areas of science or social
studies. There were a number of anxieties expressed by teachers
about this expectation for their students. As a result, significant
time was spent at several meetings sharing ideas for easing students
into this formal writing genre. One teacher described how in a
unit on ocean animals she taught her students a system for taking
jot notes :
- give students
categories or topics. For example: size, habitat, food.
- model how
one can read and pull out points which fit the categories
- read over
the data to make sure it3Ds in the right place
- have students
use the information to write paragraphs
Another teacher
had a different way of pursuing the same goal:
- create
cubes with a picture of the animal on one side
- have a
space on the other side for students to write information about
the animal3Ds appearance
As Bonnie commented,
ASo it3Ds quite labour intensive, but it beats the plagiarized
stuff@.
- Writing a
class newspaper
This project
was designed as the culmination of individual novel reading within
Readers3D Workshop. Students:
Astudied
the different writings that go in a newspaper, and all the contexts
in the newspaper. Now they have to do an illustration that3Ds on
a big story board. They name the newspaper according to the novel,
and they do a feature story, an editorial, an advertisement, and
a Dear Expert column. The feature story is basically a summary,
like a Siskel and Ebert kind of thing, telling about whether they
liked it or not. The editorial is the personal response to the story.
And they just display it on a Bristol board, which is a way to get
other kids interested in the different books that are in the library@
(Bev).
Editing and
revising
Many teachers
considered that this was an extremely demanding exercise, and suggested
that many of their students experienced difficulty and frustration
with revision. Teachers experimented with using rubrics, editing
in a different colour pen, and had some success in structuring writing
conferences with partners.
Reflections
on the network3Ds explorations of teaching writing
It was clear
to the university researchers that tensions described in the research
literature between writing workshop approaches and the realities
of life in classrooms (Sudol & Sudol, 1995) were mirrored in
the dilemmas experienced by the teachers in this study. According
to Sudol and Sudol, it is important not to mislead teachers into
believing that writing workshop represents Athe method@ which will
work infallibly in every classroom. The teachers in this study were
engaged in making their own adaptations to a student group whose
prior experiences with schooled literacy had often not been positive.
Through their conversations with each other, these teachers were
building an understanding of the relationship between frequent opportunities
to read and hear good literature and the chance to grow as writers.
There was still a confidence and knowledge gap, however, even in
this committed group, between teachers who fully understood how
to scaffold students3D learning of the characteristics of different
literary genres, and how to guide them through prewriting, drafting,
revision, editing and publication. The decision about how much structure
and direct teaching to provide has to be made on an individual level:
AWe need to find out how much structure and then to move back
so we3Dre not making them totally dependent. It needs to be more
guided and structured than most of us have been led to believe@
(Bonnie).
A closely related
issue is one which occurred frequently in our discussions. While
members of the group agreed that writing workshop in their school
required more structure than originally described by Graves (1983),
there was an understanding that insistence on step-by-step progress
in writing would not only subvert the intent of the process approach
to writing, but would also lead to dilemmas around independence
and control. Teachers stated that they wanted their students to
be independent learners, but expressed doubt that students were
able to follow directions or collaborate with others. Problems with
group work were raised every time the group met. Even the most experienced
and ardent supporter of literary community-building in her classroom
noted tiredly one day, AI may have to give up on group work for
a while, my patience is going a bit@. Students needed constant
support in order to be able to work together without conflict, which
was obviously wearing on teachers.
There were other
constraints on students3D writing development. It became obvious
that in order to be successful in writing in the content areas of
science and social studies, students needed background knowledge
of geography and ecology. Since many students came from homes where
books and information in these areas were not readily available,
they did not have access to the knowledge assumed by schools. In
addition, many parents had not been educated in Canada, and were
not aware that the school expected them to provide support in finding
information for social studies and science fair projects.
Another constraint
on students3D success in writing in a variety of genres was acknowledged
by teachers, who recognized that they had probably not provided
enough opportunities to practice the discourse required for research
reports. The lack of opportunity was related to teachers3D sense
of a fragmented schedule, where other events frequently intruded
on the extended time necessary for sustained inquiry. For those
students with limited access to non-fiction books at home there
was a special need for more inviting, well-illustrated, factual
books in the library.
All teachers
emphasized the potential power of the literature they introduced
to students. As part of a different study, a teacher intern and
one university researcher had introduced literature that spoke to
the hearts of children coming together from many cultures to build
a community of care in the classroom. Teachers spoke eloquently
to the effect of literature on their students, and their own emotions
as they read to students from favourite novels. Some noted how particular
books spoke to their students:
AOne of my
students had a life quite similar to the girl in the story and lived
out there during that time, and he could connect to all those different
places in Vancouver and he3Dd tell us stories about all of those
places@ (Brett).
There were a
number of less salient issues, such as speculation on the influence
of popular culture, particularly television and video games, on
students3D ability to fully develop a sense of connected plot and
to attend carefully to less visually stimulating activities. Assessment
was mentioned as an issue, but not fully developed in conversation.
There was the sense that productive activity, such as writing workshop
or science activities, was put aside when it came to report card
time.
At the last
network meeting, when teachers were asked if they had seen evidence
of growth in their students3D writing were able to reflect on the
year and see that small gains had been made. Several described more
confidence in their student writers:
AI gave them
an assignment to write letters to a character, and there were two
things. Not one student came and asked me how much do I have to
write or >is this enough3D. I thought it might be all questions,
and it wasn3Dt. They chose different characters, all of them.@
Students were
perceived to be more competent at elaborating answers to questions
and establishing mood through their descriptive writing. Editing
and revising were still seen as problematic by all teachers. A few
students had made progress, but in general these attempts were perfunctory:
AThey can do some revisions, but that3Ds it.@ Someone commented
that AThey3Dre beginning to understand what it means to talk
about their writing.@
As can been
seen from the last comments, there was a change in teacher focus
from surface structures to the socio-cognitive issues of writing.
Many discussions focussed on the cognitive demands of different
writing genres, and on how teachers might make these more explicit
for students. There were no final solutions, but the shift of orientation
from mechanics to meaning was accompanied by a concurrent shift
from frustration at the students3D lack of specific skills to shared
problem solving.
Primary Reading
Group
The primary
teachers in the reading network shared a mutual belief that reading
was a meaning-based constructivist approach that was based primarily
on student experiences-- on what readers already know. For them,
reading is not simply the identification and pronunciation of words;
it also a process in which children construct their own meanings.
They know that young readers actually construct their own text parallel
to the text being read and, in the creation of this text, incorporate
their own experiential knowledge, beliefs, and values. In so doing,
readers are encouraged to ask questions and to seek their own answers
while also being entrusted to choose what they want to read. This
makes learning personal and social.
When this cross-cultural
group of teachers pause to reflect on what they are doing and when
they make changes in the ways they teach, they often discover that
reading pedagogy is continually challenged. Continually, there is
an increased emphasis on providing an inclusive reading curriculum
for all children. Although individual teachers had differing
inquiries, they were inextricably tied by a concern for thoughtfully
reflecting on their own pedagogical practices so that they could
meet the needs of their classrooms of diversity. AWhat are effective
ways I teach reading when I have such a wide range of readers?
queried Brenda who learned that this is a universal question that
is continually being posed by teachers everywhere.
Teachers
posing their own inquiries
Brenda, a first
year teacher, thought that having scheduled network meetings to
talk about her teaching practices with colleagues was enabling as
she moved into the role of teacher as researcher. For her, the day-to-day
teaching was isolating. A It was my year to be in grade three,
doing my job@, was the way she described her experience. She
hadn3Dt realized that once you become a classroom teacher, there
would be little opportunity to talk to other teachers about successes
and challenges. It seemed to her that every spare moment was taken
over by classroom demands. The other teachers agreed as they juggled
the multiple roles of a primary teacher-facilitator, mentor, social
worker, counselor, critical friend, and compassionate AAuntie@ in
the traditional Aboriginal sense. Brenda3Ds caring for her children
permeated her everyday thoughts. AOften, I lie awake thinking
about the students. I don3Dt just think about the academics, but
I wonder if they are safe.@ Sharon, an experienced teacher,
was in her first year as a Grade One Teacher. Although she had considerable
success as a Kindergarten teacher, she found the structure very
different in the Primary Day. Confronted with the social, economic,
and emotional issues that are associated with children from a community
school, she felt that she was continually struggling to maximize
valuable instructional time without interruptions. Repeatedly, throughout
the network meetings, she stated: AI want to be able to do what
I am trained to doCTEACH.@ Sharon and the others felt that helping
readers focus on meaning is a challenge especially when so many
of the children come from homes where English may not be a first
language or books are not a part of the family life. Like Sharon,
Lynn was a kindergarten teacher but several years ago made the transition
to teach grade two-three. She empathized with Sharon whose task
now involved moving young children from listening and enjoying stories
or Atalking like a book@ to becoming independent, fluent, strategic
readers. Lynn has been working for several years developing a repertoire
of strategies for integrating reading with other literacy activities
such as science and social studies. Through Lynn3Ds endeavors, she
has come to see that authentic teaching begins with her self and
her relationship with the students. She has connected classroom
teaching with questions that examine the meaning of life and justices,
that revolve around caring for each other and the environment. With
similar experiences to the others, Jan, too, had transferred to
Grade Two from teaching French and was trying to achieve a balance
between the academicsBhelping children to learn and the emotionsChelping
children to feel successful. Continually, Jan was querying her instructional
practices as she strove to help young readers develop a self-extending
reading system, one that fuels its own learning and enables the
reader to continue to learn through the act of reading. Ultimately,
she views that her goal is to guide young readers to be independent
and fluent using Ain-head or metacognitive@ strategies.
Building
a literacy environment
As all four
teachers embraced an ethics of care in building a learning environment
for their children; they kept forefront this relational-self as
an overarching principle. Threaded through the network3Ds discussions
were certain underpinning principles that define a caring and compassionate
community school teacher:
- affirming
the cultures of all children;
- integrating
the culture and experiences of all children into the content and
processes of schooling in order to motivate and
promote learning;
- weaving cultural
diversity into the transmission of values, knowledge, and skills,
that occurs in their classroom; and
- enabling
students to become socially responsible people.
The teachers
were firmly grounded in the belief that they be fully prepared to
work with and use in positive ways, the many aspects of diversity
present in their classrooms. Each teacher found ways to teach reading
as an interdisciplinary approach using literature, anthologies,
and language experience tapping a wide range of available resources.
Reading instruction
Wrestling with
the solution-orientated questions such as: How much time do I
spend on reading instruction? What are some ways I can help young
readers internalize strategic reading? Where can I find books so
that every child can read successfully? The reading network
queried ways to provide reading instruction that fit the individual
needs of their diverse classrooms. Discussions focused on the following
major instructional issues.
How can children:
- enjoy reading
even when books are challenging,
- feel successful
when reading challenging books,
- have opportunities
to problem-solve while reading,
- read for
meaning even when they must do some problem solving,
- learn strategies
they can apply to their reading of other books,
- have their
active problem solving confirmed,
- use what
they know to get to what they do not yet know,
- talk about
and respond to what they read,
- make connections
between books and their own experiences, and
- expand their
knowledge and understanding through reading.
Some questions
were answered
In our on-going
discussions during the school year, the language experience approach
best describes what teachers were using in their community classrooms.
Knowing that young children need to have the time and space to explore
language in order to clarify its uses and gain facility in its production
and reception, each teacher developed an eclectic reading program
rather than getting locked into using Aa single approach that fits
all,@ as a panacea for every child. Central to each program was
the notion that children who experience language and its intricacies
take giant steps on the road to becoming literate. The main feature
is that by using a language experience approach, each teacher embraces
the natural language of children and use their background experiences
as the basis for learning to read whether it is through chants,
repetitive stories, stories, informational text (i.e. books about
bugs), and individual and group writing as chart stories. When stories
are co-composed as a group where children are presented with the
possibility of writing about their world in the way they see it
and describe their experiences as they live them, they become more
involved in their own learning. By recounting their experiences,
memories, ideas, and reflections, the text becomes children3Ds reading
material. Because the content is familiar and the text is their
language, children, including culturally diverse learners, can usually
read the chart stories more easily. When children collaboratively
compose, dictate words, and then reread together, they start to
make connections between reading and writing.
Teachers shared
some of the authentic language experience activities which invited
children to share and discuss experiences; listening to and telling
stories; dictating words, sentences, and group stories; and writing
independently. In addition, language experiences also revolved around
visual expression, movement, singing, and rhythmic activities which
are valuable means for expression.
Word identification:
positioning our beliefs
Like others
grappling with how can we help children with word identification,
we came to some understandings. Acceptance of any program reduces
the likelihood that needed modification will be made. Failure to
address the needs of non-mainstream children is not due to a conscious
thinking but to an established tradition of ignoring differences
among learners. Naturally, this way of thinking promotes an ethnocentric
definition of literacy based on strategies designed for mainstream
children as the model for all learners.
We agreed that
reading is an orchestrated process and that when readers combine
meaning cues--syntactic and semantic-- with phonic cues, they have
developed a powerful tool for word identification. Phonics instruction
is a part of a reading programCbut it is not the reading program.
Rather than focus on a single strategy without regards to
all three cueing strategies, the teachers are using various kinds
of contextual activities such as Morning Message or Masking in which
target words are deleted or masked from the text. Activities such
as these help readers become aware that reading is constructing
meaning from using all cues, including phonics. An additional bonus
is that close activities such as morning message help children internalize
spelling patterns as they develop knowledge of the way language
works. Lynn holds that the daily experiences with Morning Message
create a spelling awareness that gives writers clues to making the
transition to more conventional spellings. As children participate
in the large group clozing activities they make Aeducated guesses@
about troublesome sound patterns. Later, they replicate the process
that they saw modeled when putting their thoughts and feelings into
words down onto paper.
The reading
of real books is advocated where children read for enjoyment. Sharon
believes that it is through these occasions that readers realize
that text selections can be read and understood without identifying
every word. We share Sharon3Ds excitement when in mid-winter many
of her beginning readers made a real Abreak-through@ when they realized
that AI can read now!@ Both Sharon and Brenda read daily
to their children and there are opportunities for chanting, choral
reading, partner readings, and a Atake a book@ home reading. Even
Brenda and Lynn find that their older children love listening to
stories. As Brenda states, Aevery time I begin to read the children
are wide-eyed with anticipation.@ Charlotte3Ds Web and
Fantastic Mr. Fox are perennial favorites as children make
the transition from picture storybooks to the longer chapter stories.
But, it is when children read real books for themselves that they
understand why they are learning to read and what reading really
is.
What do we
do with children who have not internalized reading as a meaning
making? was a question generated within the group. We thought
about how young readers must begin to use what they know themselves
about learning and applying that knowledge to reading. This knowing
about knowing how to know is what is called metacognition (Palinscar,
& Ransom, 1988). In Jan3Ds class children self-questioned when
encountering difficult words. One of the strategies in Jan3Ds repertoire
is a Athink-aloud@, thinking about one3Ds thinking while reading.
Children asked themselves Awhat makes sense?@ as they puzzled out
a new word. In this way, children became self-responsible for their
own learning as they monitor their own understanding. When they
are self-initiators, they know about knowing: how to know, when
to know, and the reasons for knowing. Thus, learning becomes tactical
as children were aware of and try to control their efforts to use
particular learning strategies.
In our conversations,
many reading activities were shared:
READING ACTIVITIES
- Pocket Charts
- Alphabet/Letter
Activities
- Word Activities
- Word Walls
- Echo Reading
- Shared Reading
- Guided Reading
- Partner Reading
- Reading-Aloud
- Independent
Reading
- Morning Message
- Minimal Cues
- Masking
- Self-Monitoring
- Repair Strategies
- Big Books
- Easy-to-Read
Books
- Repetitive
Stories
- Songs, Poems,
Charts
- Language
Experience
- Independent
Writing
- Story-Making
- Literature
Circles
- Reading Journals
- Writing Journals
- Story Retellings
- Response
Through:
- Art
- Drama
- Writing
- Music
- Dance
Other questions
were generated
As classroom
teachers, we knew that we had the ability as well as the responsibility
to facilitate and help strengthen the relationships of young learners
with their families and communities. The strength of this relationship
affects a student3Ds positive self-identity and esteem. Although
this community school is committed to programs that invite community
input and strive to reflect family values, many parents, including
those who are ethnically and linguistically diverse, are intimidated
by the large institutional structure of the school and schooling.
Many of these parents would prefer to relate to their child3Ds own
teacher. The classroom teacher sees the children daily, plans
teaching addressing their individual needs, and follows their day-to-day
progress. Children are part of that teacher3Ds life, thoughts, and
often preoccupations. If we accept the notion that the parent
is the child3Ds first teacher, then it follows that the teacher
is the second.
When the values,
teachings, and family literacy practices of the home and school
are quite different, conflicts can arise. For some children, their
educational possibilities are hindered when these two teachers are
seen to be in contradiction, that is when the child feels that one
teacher does not value the other. Thus, it becomes the classroom
teacher3Ds responsibility to reach out to facilitate a partnership
with the child3Ds family and community beyond just sending
letters home or extending invitations to parent conferences. In
our conversations we discussed ways of building bridges, perhaps
through ABack to school nights@ with parents to begin relationship
of mutual respect and a sharing of knowledge.
The action-research
cycle continues. As our reading group project culminated in the
late
Spring, we made
plans to meet together in the Fall and begin exploring a new question
about parents as learning partners.
Holistic
teaching
It was affirming
to the primary teachers to realize that they were producing a holistic
reading curriculum which uses real, authentic books. They strongly
believed that real books puts young learners in control of what
they read. But holistic practices also give rise to new roles for
teachers and learners and a new view of how teaching and learning
are related. Holistic teaching revalues the classroom as a learning
community where teachers and pupils learn together.
As they grow
as teachers they are seeing various teaching practices change. Wisely,
they continually exploring new ideas, assuming that just as they
want their learners to grow and stretch, they too must grow and
stretch. Being open to new practices that benefit all young readers,
even as one retains sound practices that work, is a more favorable
way to ensure a continual expansion of teaching strategies.
Multicultural
Books Group
As teachers
engaged in reflections and inquiry, the multicultural books group
generated questions about the inclusion of multiculturalism in our
classrooms. We wanted to better understand what we do within the
context of our own teaching. We knew that in the school3Ds multicultural
community bound together by diverse groups who maintain their own
cultural traditions and experiences, books help students to celebrate
their distinct differences and understand their common humanity.
Culturally diverse books tell the stories of people through authentic
portrayal and rich detail such as Aboriginal, Cambodian, Somalian,
Bosnian, Hutterite, or cross-cultural stories of people from other
nations of the world. Individually, we knew that these stories are
told through picture storybooks, realistic and historical fiction,
nonfiction, folklore and poetry but we wanted to know more.
As a group we
had a multitude of queries about why we used multicultural literature
in our classrooms. We were especially interested in discussing questions
such as: What is the intrinsic value of culturally diverse books?
Why should multicultural books be integral to our literature-based
reading programs? What criteria can we use in selecting quality
books? In addition, we wanted to know, Who are some of the
authors and illustrators that teachers like ourselves should be
familiar with?
Why share
culturally conscious literature?
In our discussions,
we sensed that there were fundamental social and educational reasons
why multicultural literature should be woven into the fabric of
children's home and school experiences. As one teacher reflected
:
Abefore you
never really got to know other cultures very well but with
so many diverse students we now need to expand our understandings
of whom they are.@
Throughout the
time we spent together, we generated five key reasons for including
literature. We came to the following beliefs:
- If we are
going to participate in a world that is increasingly inclusive,
all children, and especially children of diversity, need to experience
multicultural books. Children receive an affirmation of themselves
and their cultures when their life experiences are mirrored in
books. Like others, we believed that the infusion of multicultural
literature in the classroom affirms and empowers children and
their cultures.
- Children
perceive that members of their cultural group make contributions
to human life.
- Children
derive pleasure and pride from hearing and reading stories about
children like themselves and seeing illustrations of characters
who look as if they stepped out of their homes or communities.
- Multicultural
literature offers hope and encouragement to children who face
dilemmas and experiences depicted in some of the books they read.
- Children
who read culturally diverse books encounter authors who use language
in inventive and memorable ways, who create multidimensional characters,
and who en-gender aesthetic and literary experiences which can
touch the heart, mind, and soul.
Like Rudine
Sims Bishop, (1990) we thought of multicultural children3Ds literature
as Amirrors@
and Awindows@. To us, it meant that children should be able to see
themselves represented culturally and linguistically in what they
read, but that they should also be invited to experience other groups
and ways of living through their reading material. Through the sharing
of books with titles such as Something Beautiful (Wyeth,
1998), Just Like New (Reczuch, 1996), My Father3Ds Boat
(Garland, 1998), or Whitewash (Shange, 1997), we came to
reaffirm the notion that multicultural literature helps readers
to understand, appreciate, and celebrate the traditions and experiences
that make each culture special in its own way. Teachers shared anecdotes
from their classrooms about when children read books that depicted
cultural differences, they not only viewed the world from another's
perspective, but they also learned more about themselves as well
as others.
AIn my grade
one class, I think I3Dd probably choose more cultural books that
have to do with families because that is what we learn in grade
one, the family from differing perspectives. So you3Dre looking
at all different types of families who are similar and different
and that3Ds where I would begin.@
AEach of
the books I read to them in my classroom is an attempt to convey
a strong sense of respect for family and community, which is a start.@
In teaching
from an awareness of cultural and community perspectives, the group
discussed how the cultural knowledge that children being to the
classroom is affirmed through class discussion and a variety of
responding activities. All children are given opportunities to interact,
to share knowledge, and to extend their appreciation and understanding
of other cultures and experiences. Learning is contextualized not
only by using culturally diverse books, but also by engaging students
in social reading, by sharing experiences, and by providing many
opportunities for children to construct their own knowledge. Comments
included:
- The power
of multicultural books lies in the emotional connections the children
make with others who might be from other cultures.@
- What all
culturally diverse books have in common is that they show what
is unique to an individual culture and universal to all cultures.@
- Often
the illustrations can transport the children to understanding
another culture in a clearer way than the words.@
Stories help
to widen the boundaries of life3Ds curriculum to include the ordinary
experiences of the diverse selves. They also represent ways of taking
action to create spacious landscapes where the Adifferent@ have
audible voices and visible faces.
We moved away
from confining the use of literature to the Aholidays and celebrations
approach@ or the reliance on cultural folk tales for a commitment
to multicultural education requires much more. As Boutte and McCormick
(1992) remind us AAn authentic multicultural approach is based on
appreciation of differences in others (p. 141)@ as opposed to the
pseudo-multicultural nature of isolated cultural activities prompted
by a holiday or culturally centred attention focussed only on one
ethnic minority in a class. To change from pseudo-multicultral education
to authentic multicultural education, Boutee and McCormick say that
teachers must begin by becoming thoughtful and critical in their
avoidance of stereotypic attitudes that have no place in the classroom
or society.@
When multicultural
Abook lists@ are saturated with folktales or holiday themes, the
voices of the contemporary parallel culture are often shadowed.
The mere inclusion in literature of characters of varied races and
ethnicities is not sufficient because the vision of multicultural
education is to transform society so that it is more just and equitable.
The transformation will depend upon an understanding of experiences
of parallel cultures, people of color who tell stories of the heart
about the culture and the communities from which they come. It occurred
to us that, without those voices, it is easy to lose sight of the
goals of multicultural education which presents parallels between
and among cultures.
The stories
we chose to read and share with each other were stories that could
open channels into the children3Ds consciousness and pathways out
of the everyday ways of being and attending to the world. The wide
range of culturally conscious themes in historical, realistic, and
informational children3Ds books provide a depth of understanding,
often through characters who are the children3Ds age like Emily
and Josie, children from different cultures who build a friendship,
in The Missing Sun (Eyvindson, 1993) or Soo who courageously
makes a midnight escape to South Korea in My Freedom Trip
(Park & Park, 1998). Children identify with characters who experience
Areal@ problems and either work to change an imperfect society or
become victims of its injustice. These books are different from
Amelting pot stories@ centred on integration and assimilation or
human interest stories in that they aim to open children3Ds minds
and hearts so that they learn to understand and value both themselves
and others, perspectives, and experiences different from their own.
Often the breathtaking
illustrations and the evocative words were inspiring. Frequently,
we were touched inwardly for books held the power to speak to us
in ways we had not considered. One teacher felt that Dave Bouchard3Ds
( 1998) The Elders are Watching held thoughtful messages
and stunning illustrations about the devastation of the ecological
world. Brenda highly recommended that book to others to share with
their children. Others felt that the fragility of the Earth3Ds ecosystems
described in a harmony of voices from Anthology for the Earth
(Allen, 1998) could stir children to new understanding of environmental
issues.
In reading and
discussing more than 100 book selections rich with possibilities,
we came to understand that using a multicultural approach to teaching
is critical pedagogy. In book sharing, children don3Dt just receive
knowledge from listening to the teacher; children are introduced
to multiple perspectives and are encouraged to compare, critique,
analyze, and use their own experiences to create a new reality.
In this way, literature3Ds powerful messages moves them to take
actions that will change situations of injustice. As children think
more critically, they begin to make the connection between what
is learned and what could be changed as they construct their version
of the truth. Once children understand the harmful effects of inequitiesBsuch
as racism, discrimination, bullying, stereotyping, or colonizationBthey
develop a critical consciousness that can lead to social action.
Social action takes many forms such as learning to be respectful,
to share with or to acknowledge all others. To teach using
this approach leads to democracy in the classroom and the school
and beyond to the neighboring community. This echoes Nieto3Ds (1992)
definition of multicultural education:
Because it (multicultural
education) uses critical pedagogy as its underlying philosophy and
focuses on knowledge, reflection and action (praxis) as the basic
principles for social change, multiculturalism furthers the democratic
principles of social justice (p.208).
Multicultural
literature heightens understanding, respect, and affirmation of
differences because it acknowledges that it is all right to be who
you are. The concept is significant for all children because they
learn to see and better understand themselves. As children travel
to different Acultural sites@ through literature, they learn that
they are the Adifferent ones,@ as viewed through the eyes of the
characters. In this way, multicultural literature provides a medium
for understanding these connections. Learning is contextualized
not only by using culturally diverse materials, but also by engaging
students in social reading, by sharing experiences, and by providing
many opportunities for children to construct their own knowledge.
AYou can
use almost any book really to deal with cultural issues if you could
awake to that. But I do know that there is power when children see
places and people that they have an affinity... where they3Dll recognize
themselves especially, when they3Dre not usually seeing themselves
in literature. I think it3Ds actually quite important for little
children to have those moments.@
Criteria
for selecting multicultural literature
We noted that
the standards for selecting quality literature in general apply
to culturally diverse books as well. In our conversations together
and on our visits to libraries, book displays, and McNally Robinson
Book Store, we shared how we might select quality multicultural
literature based on these considerations:
- Cultural
accuracy: Are issues and problems authentic and do they reflect
the values and beliefs of the culture being portrayed?
- Richness
in cultural details: Will young readers gain a sense of the culture
they are reading about?
- Authentic
dialogue and relationships: Is the dialogue indicative of how
people in the culture really speak and are relationships portrayed
honestly and realistically?
- In-depth
treatment of cultural issues: Are issues given a realistic portrayal
and explored in depth so that young readers may be able to formulate
informed thoughts on them
- Inclusion
of members of a minority group for a purpose: Are the lives of
the book characters rooted in the culture, no matter how minor
their role in the story?
Developing cultural
consciousness and awareness that one has a view of the world that
is not shared and differs profoundly from that held by many others
is a beginning step to living in a democratic society. As teachers,
we believe that literature has the potential of building minds that
are sensitive to the social realities of the world in which children
live. In our book sharing, we have seen how young readers can use
stories to further their understanding of the meaning of life and
in a search for the best way to live their lives. We have come to
realize that if stories are well chosen and well told, the stories
children hear and the reading which they go on to do for themselves
can help them toward an appreciation of their own worth, the worth
of others, and about the kind of behaviour which best reflects these
values.
The books we
chose to share were many new titles found in the books displays
while in the library and at McNally Robinson Book Store, we encountered
and reread some of our old favorites. To help others appreciate
the variety and range of titles, Ruth Elliott and Linda Wason-Ellam
prepared an annotated bibliography which highlights the reasons
for compiling 123 of our favorite books into a book list.
Reflections
on our sharing together
This research
project has been filled with crossroads, place where teachers met,
bringing their pasts, their differences, their visions, their distinctive
disciplines to share. What they brought has been woven into stories
of teaching experiences next to stories of personal experience.
Our teaching stories helped us construct our selves, who
used to be one way and are now another. Our words lived assembled
in stories. Stories helped to make sense of, evaluate, and integrate
the tensions inherent in our experiences.
Teaching stories
gave us hope. We needed our stories to envision a transformed future
for ourselves and our students so that it will be richer or better
than the past.
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